Emilia-Romagna is strange. The train departure board could be a poster announcing a stadium tour of gastronomic rockstars – Parma, Bologna, Modena – and yet… as far as wine goes, the region is mostly known for its sweet fizzy Lambrusco… click here for more on Vinissima.net
When one of the oldest Barolo house changes guard, it is worth sitting up and taking notice. Cantina Giacomo Conterno is a great name in Barolo wines and was established in 1908. With the passing away of the formidable Giovanni Conterno in 2004, his son Roberto took the helm. There have been a few changes since then… click here for more on Vinissima.net
The state of Vermentino is pure pleasure. So I raised my eyebrows to the challenge to show there were different styles of the vermentino grape. To me it is obvious: all vermentino seems to show a wave of glamourous flavour which ends in a quiet shhhh of reaching the shore. Whether the Vermentino is from Liguria, Tuscany, Sardinia or the emerging areas in Australia. But there are differences. Solosole, Poggio al Tessoro, from Maremma is quite simply the taste of licking warm, bronzed skin after a swim in the ocean ending in the quiet of an acidic kiss. Australian vermentino, from Chalmers in Mildura in Australia, also shows the very lean, citrus mineral style after an exciting display of flavours (smoky, herbs, orange/lemon). If you know the superb Rieslings from Eden Valley you will know what I mean by the eventual leaness. But it is Sardinia that takes the award for pure fabulous beach style; but, is it really surprising? There’s no other way of saying it – this is rich for …
16% of Sicily’s total vines are devoted to Nero d’Avola and it is considered Sicily’s most important red grape. It has a full-bodied flavour, closer in style to Shiraz than Pinot Noir, with the ability to keep its refreshing quality despite the soaring heat…. click here for more on Vinissima.net
The skills for making handmade lace are nearly all replaced by the factory. Except in Sicily. Donnafugata Mille e una Notte is a red wine from Contessa Entellina DOC that has a tight grip on its joyous Nero d’Avola fruit like a short, sharp slap from a woman in mourning. Unashamed Italian austerity, with deep balsamic herbs and black-lace tannins with round Nero d’Avola berries saved from complete voluptuousness by cool harvesting the grapes in the middle of the night. If your idea of black is easy-wearing, wash n’ go then you may not be ready for the young widow with eyes of coal dressed in black lace; this is a traditional wine, yet made in a highly technological way, that seethes tension and speaks the vocabulary of the volcano. Brava. Tasted at London International Wine Fair, 18 May at Nero d’Avola Qualita masterclass. Image: Michael Roberts
Barolo may be the wine everyone knows, but the grape that makes Barolo – Nebbiolo – is the chalk line that draws the character of Piemonte. This line has its moments of frustration… Click here for more on Vinissima
Some Super-Tuscans scream luxury but the 2007 Messorio from Le Macchiole is a quiet wine that opens before you as you taste it, to give the feeling of falling forward into space: like a confident step from a plane into silent velvet-dark below, the fruit billows outwards on the palate like a slow-glide on a silk parachute. Afterwards the tongue is literally left frozen in shock from hundreds of tiny pin-pricks of acidity, which may sound bad, but tasting at this very young stage (en primeur/anteprima), it is only the tingle of expectation for a profound experience in the long-term. The 2007 is considered a “tropical vintage” in Tuscany, which may explain the richness in the fruit, but this Merlot from Bolgheri has all the hallmarks of developing well and is completely and smoothly in balance. I long to see this wine, or any
My report from Tuscany on the beautiful, but dramatic, 2006 Brunello di Montalcino vintage can be found on Tim Atkin’s website: here. image @winewomansong
In local Langhe-Piedmont dialect, the name of the white grape Arneis means “crazy, weird, introverted, whimsical, bizarre”. But what’s really crazy here is that Arneis is
Aglianico del Vulture dei Feudi di San Gregorio 2007 The first taste of Aglianico is like a volcanic eruption in rewind: a hundred blasts, shreds of mineral rock followed by a fierce lava cooling down into black smoke puffing backwards into the top of the mountain, overgrown with herbs, cool as graphite and purring, velvet and deep, as if nothing had happened.
This is how to do the new austere well: with a light, baby Barbaresco style wine from a near-abandoned region in Piedmont. A fabulous wine yet with an honest country heart: violet, roses after rain, stewed cherry, and fresh-smelling wet forest twigs and gun shop, the expansive feeling of the perfume slowed down by refined tannins, like stopping on a mountain path to take photos of a richly-coloured sunset with a super-sharp lens.
The red colour of Italian cars is not just any red. It comes from a long history of rules, mostly developed between the World Wars, from when car racing began. Different countries were assigned different colours: blue for French cars, white for German cars and, of course, British cars were racing green. Red was assigned for Italian race cars and now, the red colour of Alfa Romeo, Maserati and Ferrari is instantly recognisable as a “race red” (or Rosso Corsa). All these rules have a history, which gain sense from the time, but most people today know what is meant by Ferrari Red. Just as with Italian car colours, and a lot of things in Italy, Italian wines have many rules. So it is worth considering what the proposed changes in the rules mean, especially when on the 15th December, the 15 board members proposed to change Rosso di Montalcino from 100% to 85% guaranteed Sangiovese.